Rene Lalique: Art Nouveau, Symbolism And Naturalism

Whilst Rene Jules Lalique's childhood years seem to be shrouded in rather of a mystery, it is understood that he was born to Jules and Olype Berthellemy Lalique on the Sixth April 1860. For the very first two years of his life the household resided in Ay, in the Champagne area of France, about a hundred miles to the northeast of Paris.

By 1862 the household had actually relocated to Paris where his dad worked as a merchant handling novelties. Throughout his youth years, Rene and his household made regular return check outs to their rural roots to see friends and family. When his love of nature started to establish, this is where and. He loved to take strolls with his grandfather into the surrounding countryside and forest, where he studied nature at close quarters. Nature amazed him; he loved everything about it, from vegetation to animals.

He began his education at Turgot Lycee near the Parisian suburban area of Vincennes, where he studied art and was awarded first prize in a illustration competitors during his time there.

At the age of sixteen, shortly after his dad's death, Rene, in all probability, guided by his mother, embarked upon his apprenticeship with Louis Aucoc, one of the leading Parisian jewelers of the day. His time there was spent helping Louis in the creation of the then popular Rococo styled fashion jewelry and discovering the tools, products and techniques of his trade. He also took evening classes at the local school of ornamental arts.

Having finished his training, in 1878, Rene moved to the London suburban area of Sydenham where he studied at The Crystal Palace School Kurt Criter Denver of Art, Science and Literature for a few years. Throughout his stay in England, Lalique spent much of his spare time at London's museums; he enjoyed them.

By 1880, Rene had actually returned home to Paris and used up training as a sculptor in his spare time whilst working as a wallpaper and material designer through the day.

A year later, he had settled into working as a expert jewelry designer for Jules Destape, this would be his career for the next twenty years. In addition to holding down a full-time job he also took on freelance work for a few of the bigger Parisian jewelry houses.

By 1885, Rene was working for himself. Destape retired and ownership of his service was moved to Lalique. Now, with a fully staffed workshop and free from the restrictions of working for someone else, he might fully focus on his own Art Nouveau styles. Which, included greatly in the French jewelry trade publication "Le Bijou" and were met with much adoration and replica from his rivals. Lalique's "magic" remained in the method he steered clear of the typical costly gems-stones and precious metals , rather, concentrating more on cheaper products such as: clear enamels, semi-precious stones and ivory and so on

. By 1900, Lalique had actually reached the Kurt Criter peak of his fashion jewelry career. He displayed at the Exposition Universelle Internationale in Paris and won global praise for the manner in which he intertwined symbolism and naturalism. Upset by the method that his work was constantly being copied, Rene's attention began to drift away from his jewelry "art kinds" and towards glassmaking.
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By 1909, Rene had actually started making perfume bottles for Coty. Lalique drew upon his experience and developed bottles that evoked the nature of the perfume that they included.

Within a couple of years, his glassmaking skills had actually broadened to include: statuettes, vases, tableware, bowls and, amongst other things, architectural panels. These panels could http://query.nytimes.com/search/sitesearch/?action=click&contentCollection&region=TopBar&WT.nav=searchWidget&module=SearchSubmit&pgtype=Homepage#/Artist be found aboard the best ocean liners of the day and embellishing the dining car of The Orient Express.

It didn't stop there. His glass mascots could be found adorning the hood of a lot of the more glamorous vehicles of the Roaring Twenties. These are the most looked for after antiques today.

The Lalique factory closed in 1939 throughout of The second world war. Rene died on the Fifth May 1945 and never witnessed its resuming.

Throughout his youth years, Rene and his household made frequent return check outs to their rural roots to see family and good friends. At the age of sixteen, quickly after his dad's death, Rene, in all probability, guided by his mom, embarked upon his apprenticeship with Louis Aucoc, one of the leading Parisian jewelry experts of the day. By 1885, Rene was working for himself. Shocked by the way that his work was continuously being copied, Rene's attention began to drift away from his precious jewelry "art forms" and towards glassmaking.

By 1909, Rene had actually begun making perfume bottles for Coty.